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Save your files in **PSD** ( **Photoshop** ) format for compatibility with other programs. It’s best to create files in the highest quality setting available. You can always compress files later if you need to save them on a device that doesn’t support high-quality files.
In this book, I use Photoshop for every possible reason. However, I also mention other programs that perform similar functions, such as Adobe Camera Raw (see the upcoming section “Using Adobe Camera Raw”) and Adobe Lightroom (see Chapter 3 for more information).
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… This is how it works…
The statement at the top of this page is how I am going to describe almost every mainstream video game ever made. It was inspired by an item in the Toontown Gazette about how a real life children’s show was based on a Disney video game about dinosaurs. This hit on some weak spots I have in my head. I wanted to give you an idea of the mental gymnastics I go through just to get the thumb suckers and pacifiers I need to function, so I can enjoy and understand the media I consume. It’s the same reason this blog exists.
Up to a little while ago, I was always confused by how online multiplayer worked in online games. To me it always seemed like a lot of work to just “have fun”. I remember that for a long time my go to fantasy video game was World Of Warcraft. It was very cool and all, but it didn’t really involve a lot of play.
This made me decide to give some of the odd card-based minigames from Magic the Gathering a shot. I have a few friends who play regularly and one of them was into deck-building. I remember reading once about building decks with elements like fire, ice, lightning, etc. To me it seemed like the type of game I needed to get back to. This game would work really well on phone and tablet devices and with things like “Magic the Gathering” and “Pokemon Go” I was seeing more and more opportunities for tabletop card games (especially minigames) on my phone.
Once I was satisfied with the game I was looking for I started looking into possible places to sell it. I looked up everything I could about tabletop card games and I came across “Crash”. The game was a cross between a European style card game with a fantasy theme in what seemed to be an attempt to cash in on the “Pokémon Go” craze.
At the time I thought it looked okay and at $4.99 seemed inexpensive enough to give it a shot. I was impressed with how active the community was, so I decided I would give it a shot. It ended up being a really great game. The luck of the draw with cards was surprising and I felt like I was really playing a card game. That alone made the game attractive and I decided it was a really good game to play and come back to. Plus it
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| **Exploring the Brush Tab**
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As you browse the brush panel, you’ll find a ton of choices, categories, and individual brushes to choose from, and you can even edit them to get the look you want. In this section we’ll take a closer look at the Brush tool to learn how to select and use the many brushes in Photoshop.
The brush section of the Toolbox has five categories: Painting, Copying, Eraser, Edge Tools, and Drawing. As your mouse pointer passes over a category, a list of brushes appears. This list is based on the order in which the brushes appear in the program. For example, if you start with a Pencil brush, select one of the other brushes in the list as you mouse over. You can also click and drag from one brush to another on the list to quickly find the brush you want to use. You can click the name of any brush to open it in the brush dialog box.
The current brush settings are shown in the dialog box, and you can set these by clicking the Edit button at the bottom of the box. You can move the slider for the current brush to change its size. In addition, you can choose to create a new brush shape from this brush by clicking the shape icon at the bottom of the box. This opens the brush shape dialog box. Here, you can select the brush tip shape, as shown here.
**Figure 1.20** : The Brush tool includes many brush styles and options
**Figure 1.21** : The Brush tool settings
**Figure 1.22** : Changing the brush shape for the Pencil brush
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To edit the individual settings for any brush, you can double-click the icon of the brush you want to edit. This opens the brush settings, and you can adjust the settings as shown in Figure 1.22.
You can also use your computer’s Help system to get help on using Photoshop. To open the Help system, press the F1 key on your keyboard.
**Figure 1.23** : Editing brush settings
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**Figure 1.24** : Press F1 to access the Help system.
The Brush tool is listed in the Toolbox in Figure 1.23, and we’ll go over the many brush styles available in Photoshop. Once
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N.L. Scott: Lost for words
I was a member of the St. John Ambulance team for nearly a decade, and on one of those nights, at the end of May 2011, I was sitting at a table with a bunch of patients in the hospital who were in excruciating pain, and I wasn’t that close to the action. I was there for an emergency, and the last thing you want to do is be caught back at the desk on an emergency.
In a flash, my hands and face were black and blue. I looked terrible. The all-pink, all-plastic St. John Ambulance uniform would be back in the shop for a serious inspection, but other than that, I was fine. A week later, an intensive care technician called me at home to remind me that I was not to come to the hospital as they didn’t want me distracted during a resuscitation. You know what, it was fine. I missed a few days’ work, but it was one of those things.
On June 1, 2005, my brother, David, died. It was night, and I was with David’s wife, Heather, in our home in Houston, Texas. I was in a state of shock for a long time. “My back is out,” is all I remember saying.
In the years since, we’ve had many wonderful conversations, and there is no regret that I didn’t speak up that night. But there was still something missing. A void.
I met Lou Weatherstone a few years ago. He had been an emergency medical technician, like me, and then worked in toxicology and accident investigation. He has since written several books on crime, accident, and disaster investigations and teaches classes at the School of Visual Arts in New York City.
Lou is the man I should have been, but was not.
I had an important conversation with Lou as I was beginning to put together what I wanted to share. I called him on a telephone late one night, and the next day he wrote, “You are the brother I have never had.”
The following night, Lou’s wife, Dona, answered my call. She spoke to me for a while and then said, “Lou’s out somewhere, but he’ll be in contact with you.”
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